Men at Work were one of the more surprising success stories of the new wave era, rocketing out of Australia in 1982 to become the most successful artist of the year. With its Police-styled rhythms, catchy guitar hooks, wailing saxophones, and off-kilter sense of humor, the band’s debut album, Business as Usual, became an international blockbuster, breaking the American record for the most weeks a debut spent at the top of the charts. Their funny, irreverent videos became MTV favorites, helping send “Who Can It Be Now?” and “Down Under” to number one. Men at Work’s momentum sustained them through their second album, 1983’s Cargo, before the bottom fell out of the band’s popularity. After releasing Two Hearts in 1985, Men at Work broke up, becoming one of the better-remembered phenomena of new wave.

Colin Hay (lead vocals, guitar), a native of Scotland who moved to Australia at the age of 14, formed Men at Work as an acoustic duo with Ron Strykert (guitar, vocals) in Melbourne in 1978. Within a few months, the duo had expanded to a full group with the addition of John Rees (bass), Greg Ham (saxophone, flute, keyboards), and Jerry Speiser (drums). Over the next two years, the band became regulars at the Cricketer’s Arms Hotel bar and on Australia’s pub circuit, eventually becoming the highest-paid unsigned band in the country. By 1981, they had landed a contract with Australian Columbia, which released “Who Can It Be Now?” by the end of the year. The single became a huge hit, as did their debut album, Business as Usual, upon its spring 1982 release. Featuring contributions by Hay, Strykert, and Ham, Business as Usual spent ten weeks at the top of the Australian charts, beating a record held by Split Enz’s True Colours. The album was released in America in the summer, and within a few weeks “Who Can It Be Now?” began its climb to the top of the U.S. charts. In November, Business as Usual hit the top of the charts, where it would stay for 15 weeks. “Down Under” became the group’s second American number one early in 1983, and it became the band’s first British hit single; the song reached number one in both countries simultaneously. In February, the band was named the Best New Artist of 1982 at the Grammys. – AllMusic